car door abstract

Car Door by Kim Manley Ort

Dictionary.com defines the word “abstract” as “thought of apart from concrete realities, specific objects, or actual instances; difficult to understand.”

During my recent vacation, I had the chance to visit three places that were all very different but had this common thread of abstract art. I adore doing abstractions in photography, as you can see from the image above of reflections in a car door.

Bear with me and then tell me what you think of the connections I found. 

First, two friends and I visited the Evergreen Brickworks in Toronto, a place that teaches about sustainable living in cities.

graffiti don valley brickworks

Don Valley Brickworks

The building was the former Don Valley Brickworks which went out of business and sat in disrepair for many years. It is covered with graffiti, which the developers of the site kept as is.

I’m fascinated by the art and expressiveness of graffiti, and how it is perceived differently in many parts of the world.

After we left the Brickworks, my friends and I visited the Art Gallery of Ontario, where there was an exhibit of Abstract Expressionist paintings from several artists who banded together in Greenwich Village in the 1940’s and 50’s; artists like Willem de Kooning, Mark Rothko, Jackson Pollock, Joan Mitchell, Robert Motherell, etc.

They used the canvas as “an arena in which to act” rather than as a place to produce an object. In his famous 1952 essay, “The American Action Painters,” art critic Harold Rosenberg wrote, “What was to go on the canvas was not a picture but an event.”

In looking at their work, I was suddenly struck by the similarity between these paintings (all considered masterpieces) and the graffiti we’d seen at the Brickworks. For example, see Arshile Gorky’s take on Garden in Sochi.

Compare my car door at the top of this post to Mark Rothko’s, No.5/No.22 1950. Okay, I’m no Mark Rothko, but the colouring and lines are similar.

Later in the week, I visited the Royal Ontario Museum in Toronto, mostly to see their fantastic exhibit on water. However, I was thrilled to discover that they also had an exhibit by one of my favourite environmental photographers, Ed Burtynsky. His exhibit follows the rise and impact and eventual fall of the oil industry, as seen by large-scale, sometimes aerial photographs.

When I got to his section on the end of oil, this image of Densified Oil Filters blew me away with its similarity to the work of the abstract expressionists, especially this one by Jackson Pollock, Number 1A, 1948.

Often, when we look at abstract or contemporary work, we attempt to understand what the artist is saying, and we can’t do it. What I learned from these exhibits is that this type of art is not meant to be understood with the rational mind, but experienced with the heart.

As Franz Kline, one of the abstract expressionists said,

“I paint not the things I see but the feelings they arouse in me.”

Do you see the connections? How do you feel about abstract art?

 

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