** Books mentioned have Amazon affiliate links, meaning I make a few cents if you purchase through my link. I only recommend books that I’ve read.

In an article (via Brain Pickings) on Daniel Goleman’s new book, Focus: The Hidden Driver of Excellence, Maria Popova cites the 10,000 hour rule, popularized by Malcolm Gladwell in his book , The Outliers Gladwell claimed that practice makes perfect – approximately 10,000 hours of practice, that is. Goleman agrees that practice is important and adds that it’s the quality of the practice that makes the difference. The quality comes from open-focused and heartfelt attention.

Attention is one of the nine contemplative habits for living a meaningful life. Two particularly important factors for open-focused attention are deliberate practice and feedback loops.

How do these apply to photography, in particular contemplative photography?

The first step in practicing contemplative photography is to prepare the mind, whether through sitting meditation and/or awakening the senses. There is a quality of openness and awareness that is needed to bring focused, loving attention to the practice.

Deliberate Practice – persistent training to which you give your full concentration rather than just your time, often guided by a skilled expert, coach, or mentor. ~ Daniel Goleman, Focus

A daily practice of photography using open-focused attention has been a meditative practice for me. It makes me feel more present, centred, and aware. What matters most is what I bring to this practice – my  level of openness, the ability to pause and be patient, and to stay with my perceptions; to notice what’s resonating. If these qualities are present, I’m better able to express what I see.

Feedback Loops – allow you to spot errors as they occur and correct them. Ideally that feedback comes from someone with an expert eye. ~ Daniel Goleman, Focus

This is where a teacher or peer group comes in. We can learn from studying the work of great photographers we admire. And, we can join groups or workshops to see what others photograph and how they respond to our images.

Reading about different photography techniques allows us to experiment on our own and then analyze the results. We must be willing to make mistakes and realize how we could have expressed ourselves differently.

We can also tap into our own inner teacher – who lets us know what it is that we love and what we are trying to express. This is the source of our true vision.

In my workshops, I like to think that all of these are present – ideas for practice, greater awareness of our own vision, and a safe place to learn from the wisdom of a group and facilitator.

How do you practice open-focused attention?

More on Attention and Focus

The Art of Paying Attention

On Looking – Ideas for Photo Walks

Is Anything Ordinary?

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